The Blue Light Flickers

Each night I wander
through streets mostly empty
and speak to the lights
at the tops of the poles
radiant and still
measured and steadfast
the voices that passed
reach to my present

How real is that nexus
trustworthy the voices?
Am I just a mad man
who’s made the wrong choices?
Who walks in the night
A ventriloquist of wishes
conjuring dead folk?
Highly suspicious!

Terrorized.
Superstitious.
I walk on.
I watch out.

And in every house
the blue light flickers
casting erratic shadows
broadcasting
transmissions
and jittery realities
belying the stillness
the stilted stiffness
of interest coupled with indifference.

To the history of the dead folk
Hubbard’s among them
first to connect us to
the sound and the vision
Like splitting the atom
breaking the silence
smashing the walls
Severing space.

A fine hocus pocus –
And all the world turned
and focused.

But they’re lonely, the dead folk
The ones that you know
They wish you would listen
Pay a little attention
They know that you’re busy, but, really?
You speak to your gods, you stare at your screens
but find not a moment to say what you mean
to the ones who know you
the ones who know now

if you listen, they will speak
if you speak, they will listen
take time. be quiet. talk. wait.
repeat.

And the other dead folk – the pioneers!
they broadcast the future
to eyes and to ears
like sneaky disease
slips in through the breathing
bypassing the mind
dissecting the meaning.
Red, Green and Blue
is plenty for you
native man
lotus eater.

And in every house the blue light flickers.

The sky is eclipsed
by a star machine
manufacturing gods, heroes and
heroines, heroin, mescaline,
vicodin, maryjane,
alcohol, cocaine,
fame,
ecstasy, baby,
you’ll be king!
A queen.
A pawn.

An old man stifles a yawn.

Beneath my feet the sidewalk retreats
the oncoming traffic of life in the seats
and the chairs and the sofas
the idle, bystanders,
loungers and loafers
(bumps on a log
lumps in a bog)
extinguishing stories
personal glories
and staring.

A fine hocus pocus –
And the world turned
and focused.

But the others, the headmost,
ahead of the curve
who colonized the minds
of the hoi polloi,
they were as surprised as you and I.
This technochimera
spearheading and primitive
could (high)jack right into
primordial you and I
inventing the gaping maw
and glassy eye.

And each night I wander
through streets mostly empty
surrounded by dead friends
and family just waiting
for us to discern
them from the gods,
the gods from them,
one is unknowable
one is at hand.

Meanwhile…

A man suddenly stands,
stretches and leaves the room

a woman leans back
and lifts her arm

a guy rubs his eye
and contorts his face

and I see in these moments
what they’ll never see
scenes in the movie
starring the man who stands,
the leaning lady and rubbing guy.

Watching and walking
I’m on to the next.

Please don’t shut your curtains
Please don’t look my way.

Only the children and the animals can make us better people.

That just occurred to me, suddenly, but what does it mean? I think that what it means is to be good is simple and all of our evolution and intellect and religion and forward progress really has nothing to do with being good. Good is there in its most basic form. You can see it in children and you can see it in the animal kingdom. That’s enough. The rest is all of us just trying too hard to claim it.

a stump a storm a stone

A Stump

There’s nothing more sad than a stump.
A hole in the sky where once was majesty.
A disk. A flat, ruined, pointless disk.

A Storm

April is the cruelest month
when days in the fifties
are marched back to February
by eagerly unwanted snow.

A Stone

They combed the beach for agates
gathered whatever they found
they named them all agates
then left them on the ground.

Hagiography

I can’t say how much I love how Edward St. Aubyn skewers the holy, high and mighty, landed, nam-ed, people of his Patrick Melrose novels. But I also feel a similar anger toward his own prodigious talent. Like, well, fuck you, Eddie, with all you got through whatever genetic re-redistribution that led to your own genius! You are the heir to whatever it is you do. You skewer them with the same unabashed cruelty and poetry that they do others. Yes, you are infinitely better and more able, while they skewer, you fillet. And I Iove you for it. But I hate you, too. That cruelty doesn’t come from nowhere.

And that’s the point, I guess. I love you again.

We’re just buggin’ the shit out of each other

It started out with stopping by, droppin’ in and poppin’ over. Cave to cave. Cabin to cabin.

Then we learned to write with letters and along came letters written to drop in the box and on to whomever.

The telegraph turned letters into tweets – instantaneous and terse.

The telephone turned everything else upside down, inside everywhere – voices over lines of metal – spoken in Spokane heard in Japan. Conversations across the universe. There was nothing more to say. And when they got into homes, there was nowhere to hide. They had you in your house. The perfect crime.

Then phones divided into cellphones and proliferated. Popping up everywhere, public spaces, intimate places. Joined at the hip. Cool shit. The crime perfected.

Emails hail down upon your desktop, your laptop, iPad and cellphone. Damage occurs.

But that was not enough – we’ve rebuilt the telegraph from man to man, phone to phone. Tweeting everything. Leaving out nothing.

We’re dropping by all the time.

We’re just buggin’ the shit out of each other.

andiwaslike

My kids say, “I was like…” all the time. And it fucking pisses me off. [Full disclosure: I say it all the time.]

“I was like…”

Whatever happened to “I said…”? or “I turned to her and replied…”? or “I looked at him and basically screamed that…”?

It’s all, “I was like…” now.

It’s a verbal simplification that will destroy the minds of man. Over time.  All of us.

The simpler we make things, the stupider we make things. Consider the tweet or Ikea. We find so that the mind doesn’t matter more and more. Design for the dumbest among us. The quickest fixes. The quality falters.

And what? Hope for the best?

this is just fun and timely

The first line of “On Poetry” by David Orr, entitled Daily Devotions, from this last Sunday..

“It is impossible to picture certain poets buying Cheetos at a Sunoco.  Granted, this is true of a particular sort of person in any occupation – it’s hard, for example, to imagine Mitt Romney with iridescent orange dust all over his hands, unless he had accidentally purchased Halloween.”