Joe Six Pack is Dead – in Praise of a Nine-Pack

Joe Six Pack was something other than a real man.

The kind of guy who would flinch. Step aside. Protect himself

when the damsel’s distress got ugly.

Sure, he was buzzed, but also cognizant of his own mortality and I think a drink should conjure immortality.

Save that girl.

Step in front of the bullet.

Or you’re just Joe,

just plain Joe.

And a twelve pack is a bit much, ain’t it? A six pack gets you up the chair lift,

but a twelve pack will lead you astray,

a ski stuckinarut,
and off the peripheral cliff,
crashing
onto the rocks
below,
the end of Joe.

Much too much.

A nine-pack would give you the gumption to get up the hill and then

drop

down

over the lip,

through the moguls and flats, over the jump into a Steamin’ Streamin’

(daffy, tip-drop, daffy, if I recall),

then back into moguls, dips, flats, and whatever the mountain had to present.

Represent, mountain, it’s our challenge now.

So let us all call unto the brewers, the big boys and the small taps. Give us a nine pack, we ask,

or give us death – or trepidation. We need neither, but the sweet spot in between, the middle, the fiddle-de-diddle.

Let us fight the tyranny of the six and the twelve together.

clueless 1

I’ve had my acoustic guitar for many years – possibly ten. My wife bought it for me for one Christmas and since I’ve been playing it constantly to the point where it really does feel like an extension of me. When I see it across the room I want to hold it and play it. I want to strum it and sing with it. I want to harmonize with it. I was staring at it just now and noticed the brand and realized that at any time over the last ten years if anyone would have asked what kind of guitar I had I would have only been able to say, “acoustic.” If they pressed for the brand I would have had no idea! I saw the name just now: “Cort.” It’s a Cort. My guitar is a Cort and as much as I’ve loved it, I could never have told anyone that that it was/is a Cort – and there’s probably another name as well – The X44 or The Chrysalis. It’s like not knowing the name of your wife. I feel terrible – because I never knew, and also because now I do.

Cort. No, just my guitar. I’ve never been good with names.

in all its glory, lord

The art of knowing you’re no artist

A good buddy of mine suggested painting lessons recently because essentially I suck at painting. I really do. I definitely suck from most people’s point of view – t’were it you saw my so-called paintings. That’s because I’ve no training at all. Nor do I with music or sculpture. All things I do a lot.

So there sort-of begins the conversation, right? I do these things without any formal training but only, and maybe selfishly, because I really, really dig doing them. I shape heads out of clay. I paint faces on whatever surface I want to – actual canvasses, basement floors, walls, beams, sheets of already printed-on paper. I grab my guitar, play chords poorly, and sing whatever the hell I’m thinking at that moment. And I have the gall to record it, douche bag that I am.

And now don’t be surprised, but none of it is winning any awards.

I know it might be pure laziness that I don’t take the time to learn how to paint an apple in the manner that the masters have. “You must paint an apple, before you can paint a tree,” I can imagine my zen-like artist teacher telling me. But I really don’t want to paint apples. I like painting silly, ever-evolving, cartoonish faces, all the time.

I bought my first 50 lb box of clay without anyone telling me even what the hell was in the box. Clay-like stuff, I figured, rightly. And since then I’ve shaped heads – lots of them. Should I have copied the great works to learn how to sculpt? Certainly, to learn how to sculpt like the masters, but I kind of just wanted to make heads and whatever heads came out of some hours of grabbing, slapping, rolling and shaping the clay, were exactly the heads I really, really wanted to make. That’s why I bought the clay.

It’s like that horrible cliché – it’s the journey and not the destination. But in this case it’s really true. The joy is in the process, the work, and the serendipitous outcome of non-talent meeting rigor. A passionate idea evoked through the foggy lens of a cipher – just some guy messing around with notes, or colors, or clay. It ain’t great, I promise you that. It may not even be art. But it’s me, really quite unfiltered by actual teaching or maybe even talent.

But it’s all good because I don’t want to be good. I just want to do it. I’ve no designs on being an artist, but I do like to make shit up.

the difference between one and not the other – four random recent things written down

The difference between one and not the other will never make sense.

The straight makes the not-straight great.

The static nature of anything is nothing,

It’s really hard to do anything authentic in a stadium.

not to be all critic guy but the wait for daft punk’s finally fucking here album Random Access Memory was well worth it.

“A smartphone in heliosynchronous orbit was issuing human screams.”

This from Harper’s “Findings,” May 2013

I love the word heliosynchronous!
It makes me high.
I would swear that it even pitches my voice higher.
I also think it goes very well with smartphone.
Orbit.

You can’t leave out Orbit!
Another outta-space word right there!
Contains Orb and
telegraphs Orbital.
Orb is religious, sacred. Space bends back in on itself.

Earth the size of a pool ball would be smoother.

Why, it begs, is there a smartphone orbiting Earth? Makes sense that it’s on time and in tune, however, being that it’s a smartphone. But why is it screaming?

I prefer to remain in the dark as to the undoubtedly reasonable explanation and instead stay heliosynchronous to my ignorance.

And in a nod to the power of reasonable explanations, also from “Findings”…

“Scientists proposed that male lions’ skill at ambushing prey in dense vegetation was previously unknown because of scientists’ fear of being ambushed by male lions in dense vegetation.”

Right on, that.

The Blue Light Flickers

Each night I wander
through streets mostly empty
and speak to the lights
at the tops of the poles
radiant and still
measured and steadfast
the voices that passed
reach to my present

How real is that nexus
trustworthy the voices?
Am I just a mad man
who’s made the wrong choices?
Who walks in the night
A ventriloquist of wishes
conjuring dead folk?
Highly suspicious!

Terrorized.
Superstitious.
I walk on.
I watch out.

And in every house
the blue light flickers
casting erratic shadows
broadcasting
transmissions
and jittery realities
belying the stillness
the stilted stiffness
of interest coupled with indifference.

To the history of the dead folk
Hubbard’s among them
first to connect us to
the sound and the vision
Like splitting the atom
breaking the silence
smashing the walls
Severing space.

A fine hocus pocus –
And all the world turned
and focused.

But they’re lonely, the dead folk
The ones that you know
They wish you would listen
Pay a little attention
They know that you’re busy, but, really?
You speak to your gods, you stare at your screens
but find not a moment to say what you mean
to the ones who know you
the ones who know now

if you listen, they will speak
if you speak, they will listen
take time. be quiet. talk. wait.
repeat.

And the other dead folk – the pioneers!
they broadcast the future
to eyes and to ears
like sneaky disease
slips in through the breathing
bypassing the mind
dissecting the meaning.
Red, Green and Blue
is plenty for you
native man
lotus eater.

And in every house the blue light flickers.

The sky is eclipsed
by a star machine
manufacturing gods, heroes and
heroines, heroin, mescaline,
vicodin, maryjane,
alcohol, cocaine,
fame,
ecstasy, baby,
you’ll be king!
A queen.
A pawn.

An old man stifles a yawn.

Beneath my feet the sidewalk retreats
the oncoming traffic of life in the seats
and the chairs and the sofas
the idle, bystanders,
loungers and loafers
(bumps on a log
lumps in a bog)
extinguishing stories
personal glories
and staring.

A fine hocus pocus –
And the world turned
and focused.

But the others, the headmost,
ahead of the curve
who colonized the minds
of the hoi polloi,
they were as surprised as you and I.
This technochimera
spearheading and primitive
could (high)jack right into
primordial you and I
inventing the gaping maw
and glassy eye.

And each night I wander
through streets mostly empty
surrounded by dead friends
and family just waiting
for us to discern
them from the gods,
the gods from them,
one is unknowable
one is at hand.

Meanwhile…

A man suddenly stands,
stretches and leaves the room

a woman leans back
and lifts her arm

a guy rubs his eye
and contorts his face

and I see in these moments
what they’ll never see
scenes in the movie
starring the man who stands,
the leaning lady and rubbing guy.

Watching and walking
I’m on to the next.

Please don’t shut your curtains
Please don’t look my way.

a stump a storm a stone

A Stump

There’s nothing more sad than a stump.
A hole in the sky where once was majesty.
A disk. A flat, ruined, pointless disk.

A Storm

April is the cruelest month
when days in the fifties
are marched back to February
by eagerly unwanted snow.

A Stone

They combed the beach for agates
gathered whatever they found
they named them all agates
then left them on the ground.

Facebook is…

Facebook is to communication what chicken McNuggets are to haute cuisine.
Facebook is where people who don’t really like each other can stay in touch.
Facebook is to friends what 🙂 is to happiness.
Facebook is an opportunity to say “happy birthday!” (to veritable strangers).
Facebook is where real thoughts are nipped in the bud and presented as such.
Facebook is a grandmother’s dream come true.
Facebook is where you can picture yourself over and over and over…
Facebook is where people are sure to find…something.
Facebook is where bitter people blossom.
Facebook is where interesting ideas can be shared until they are no longer.
Facebook is where people who are obsessed about something obsess.
Facebook is to friendship what water is to single malt scotch.
Facebook is the bathroom wall for logorrhea sufferers.
Facebook is where you can care shallowly.
Facebook is to productivity what termites are to two-by-fours.
Facebook is for sad people to seem happy.
Facebook is where you can change your status without changing one iota.
Facebook is a kennel of barking dogs.
Facebook is the La Brea tar pits for the egregiously self-centered.
Facebook is a tower of babble.

Facebook connects human beings to bits.

Hagiography

I can’t say how much I love how Edward St. Aubyn skewers the holy, high and mighty, landed, nam-ed, people of his Patrick Melrose novels. But I also feel a similar anger toward his own prodigious talent. Like, well, fuck you, Eddie, with all you got through whatever genetic re-redistribution that led to your own genius! You are the heir to whatever it is you do. You skewer them with the same unabashed cruelty and poetry that they do others. Yes, you are infinitely better and more able, while they skewer, you fillet. And I Iove you for it. But I hate you, too. That cruelty doesn’t come from nowhere.

And that’s the point, I guess. I love you again.