100 each of black men, white men, Asian men, Hispanic men and Native men, beautiful badass looking men, should go to the White House and stand apart in their respective groups silently and peacefully for one day. Halfway through the day, after the press and everyone with a phone has shot lots of photos, the whitest white guy and the blackest black guy walk to opposite ends of a city block and then the rest fill in as best they can.
It would be a great reminder to them of what America actually looks like and that it won’t roll over for the ugly monochromatic men demanding it.
I’ve always wanted to share some of my favorite ambient albums, but it’s such an odd thing to share, right? It’s really hard to talk about – Ambient music is, one tends to lots of new age sounding adjectives, and so I will mostly just post the album and encourage anyone who wants to search it out and listen to it.
I learned today that Ryuichi Sakamoto died. He’s one of my top four, for sure, musical artists. He’s on constant rotation for me, partly because he has dozens and dozens of great albums – from early Yellow Magic Orchestra, his poppier solo work, and his own Ambient, soundtracks and piano albums, to his many, many albums created with other artists. It breaks my heart to know he’s no longer with us, but he definitely left us with lots of amazing music with which to remember him.
Note that sometimes albums I call Ambient are called electronic or some other genre elsewhere. It’s a hard one to nail down, for me they range from classic Ambient, such as Brian Eno’s Ambient 1: Music for Airports (which I always assumed would be my first Ambient post), to more experimental Ambient music that moves beyond the soft mellow chill of classic Ambient. This one shows up as electronic on my Apple Music, I would call it experimental Ambient. I just happened to be listening to it yesterday when he passed. I love this record.
Luke Soiseth 